2/8/18 Imani Uzuri Free Wild Cotton Performance at Lincoln Center

Beloved Family,
Please join me this Thursday Feb 8th 7:30pm at @lincolncenter #Atrium360 for my FREE improvisational ritual performance WILD COTTON-exploring undocomented soundscapes of enslaved African Americans that still haunt us today. Special guest drummer #KassaOverall. (link to my interview with #HillaryBonhomme below) #WildCotton
https://www.lincolncenter.org/article/imani-uzuri-wild-cotton

Via Imani Uzuri

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1/30/18 “Baldwin, Miles and Me” Quincy Troupe in Conversation with Farah Jasmine Griffin

Tuesday, January 30, 2018, 6:30 p.m.

PROGRAM LOCATIONS:

Schomburg Center for Research in Black Culture, Langston Hughes Auditorium

Live From the Archive is a series of conversations with scholars, artists, and community activists whose work is at the intersection of the archive. Quincy Troupe is an awarding-winning poet, editor, biographer, journalist, performance artist, and professor emeritus. He will discuss his vast archive reflective of his close friendships with luminary figures and in his work–Miles and Me and James Baldwin: The Last Interview and Other Conversations. Troupe will be in conversation with Farah Jasmine Griffin, William B. Ransford Professor of English and Comparative Literature and African-American Studies at Columbia University.

@SchomburgCenter #LivefromtheArchive

FIRST COME, FIRST SEATED
Events are free and open to all, but due to space constraints registration is requested. We generally overbook to ensure a full house. Registered guests are given priority check-in 15 to 30 minutes before start time. After the event starts all registered seats are released regardless of registration, so we recommend that you arrive early.

GUESTS
Please note that holding seats in the Langston Hughes Auditorium is strictly prohibited and there is no food or drinks allowed anywhere in the Schomburg Center.

AUDIO/VIDEO RECORDING
Programs are photographed and recorded by the Schomburg Center. Attending this event indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any all purposes of the New York Public Library.

PRESS
Please send all press inquiries (photo, video, interviews, audio-recording, etc) at least 24-hours before the day of the program to Ayofemi Kirby at ayofemikirby@nypl.org.

Please note that professional photography and video recordings are prohibited without expressed consent.

Http://www.nypl.org/events/programs/2018/01/30/miles-baldwin-and-me-quincy-troupe

2/2/18 IRAAS Conversasations: Anna Lucia Araujo, PhD

DATE & TIME:
FRIDAY, FEBRUARY 02, 2018

4:00PM TO 6:00PM

“Reparations for Slavery and the Slave Trade: A Transnational & Comparative History”

Anna Lucia Araujo, Professor of History-Howard University

Location: Women, Gender & Sexuality Seminar room

754 Schermerhorn, Extension. Columbia University

**Books will be available for purchase via Book Culture Bookstore onsite**

Speaker Bio

Ana Lucia Araujo is a social and cultural historian. Her work explores the history and the memory of the Atlantic slave trade and slavery and their social and cultural legacies. In the last fifteen years, she authored and edited over ten books and published nearly fifty articles and chapters on these themes. Her single-authored books include Brazil Through French Eyes: A Nineteenth-Century Artist in the Tropics (2015), recently published in Portuguese by the press of the University of São Paulo, Shadows of the Slave Past: Memory, Heritage and Slavery (2014), and Public Memory of Slavery: Victims and Perpetrators in the South Atlantic (2010). Her most recent book is Reparations for Slavery and the Slave Trade: A Transnational and Comparative History (2017). Currently, Ana Lucia Araujo is a full professor in the Department of History in the historically black Howard University in Washington DC. She is also member of the International Scientific Committee of the UNESCO’s Slave Route Project.

Please visit her website: http://www.analuciaaraujo.org/

1/31/18 Art & Equity

DATE & TIME:

WEDNESDAY, JANUARY 31, 2018 6:00PM

Art & Equity

A conversation between artists
Toyin Ojih Odutola
Barnard Lida A. Orzeck ’68 Artist-in-Residence
& Mary Sibande

Moderated by
Kellie Jones
Columbia Professor of Art History & MacArthur Fellow

Wednesday, 01/31/18, 6 PM
Event Oval, The Diana Center

Sponsored by
The Barnard Orzeck Artist in Residency
The Atlantic Fellows for Racial Equity (AFRE),
Institute for Research in African-American Studies at Columbia University (IRAAS)
The Barnard Art History Department

Information
arthistory@barnard.edu

http://iraas.columbia.edu/Event/art-equity

Thank You for supporting our Toy Drive

IMG_0507Saturday December 2, 2017 at Solomon & Kuff Rum Hall in Harlem, NY, unwrapped toys, educational items, posters, blankets, diverse dolls and gifts were collected to support children and young adults up to 22 years old.

Executives in attendance hailed from Amazon Black Employee Network, Sirius XM Black Employee Network, HSBC Bank, State University of New York (SUNY) Suffolk County Community College, City University of New York (CUNY) Brooklyn College, New York City Department of Youth and Community Services, New York City Parks Department, Rustic Tavern, NFL Network, Goldman Sachs, General Electric, Citizens Financial Group, JP Morgan Chase, and many more organizations.

Tyler James, Director of Workforce Development at New York City Administration of Children Services coordinated the successful toy drive to support over 100 youth. Attendees shared “It is such an honor to support our youth and build new community ties at the same time.”

Columbia University graduates attended from Columbia Business School, Columbia College, Graduate School of Arts and Sciences and Mailman School of Public Health.

The second annual event was held in conjunction with the 111th anniversary of Alpha Phi Alpha Fraternity, Inc. founded December 4, 1906 at Cornell University. Representatives from the states of New York, New Jersey, Connecticut and Rhode Island were eager to support this worthwhile initiative.

The collaboration was hosted by

 

12/1/17 IRAAS Conversations with Abosede George, PhD

imageCONVERSATIONS WITH ABOSEDE GEORGE

DATE & TIME: FRIDAY, DECEMBER 01, 2017
4:00PM TO 6:00PM
TOPIC: TBA

Abosede George joined the faculty of Barnard College and Columbia University in 2007. She received her PhD in History in 2006 from Stanford University. Her research and teaching interests have been focused on urban history of Africa, the history of childhood and youth in Africa, and the study of women, gender, and sexuality in African History. Her articles have appeared in the Journal of Social History, Women’s Studies Quarterly, and the Scholar and Feminist Online. Her new book, Making Modern Girls: A History of Girlhood, Labor, and Social Development was published in 2014 by Ohio University Press in their New African Histories series.
Increasingly her research interests have turned to the 19th century in Lagos, to issues of gender, ethnicity, migration, and the records of reverse diaspora communities from the Americas, the Caribbean, and other regions of West Africa. She is currently at work on The Ekopolitan Project, a digital archive of family history sources on migrant communities in nineteenth- and twentieth century Lagos, West Africa. Visit: http://www.ekopolitanproject.org

She maintains faculty affiliations with the Africana Studies Program at Barnard, the Institute for African Studies at Columbia (IAS), the Barnard Center for Research on Women (BCRW), and the Center for the Critical Analysis of Social Difference (CCASD). She received her B.A. from Rutgers University (1999) and her Ph.D. from Stanford (2006).

Selected Publications
Making Modern Girls: A history of girlhood, labor, and social development in 20th century colonial Lagos (Ohio University Press, New African Histories series, 2014) Winner of 2015 Aidoo-Snyder Book Prize from the African Studies Association Women’s Caucus http://www.ohioswallow.com/book/Making+Modern+Girls

“Getting the Hang of It,” Scholar and Feminist Online: Gender, Justice, and Neoliberal Transformations, Fall 2013 http://sfonline.barnard.edu/gender-justice-and-neoliberal-transformation…
“Within Salvation: Girl Hawkers and the Colonial State in Development Era Lagos,” Journal of Social History, Spring 2011
“Feminist Activism and Class Politics: The Example of the Lagos Girl Hawker Project,” Women’s Studies Quarterly 35 (2007)

Source: http://iraas.columbia.edu/Event/conversations-abosede-george

 

Location:
Columbia University
758 Schermerhorn Ext.

11/17/17 Conversations Yvette Christianse, PhD – Reading The Register of Liberated Africans in the Seychelles

CONVERSATIONS WITH YVETTE CHRISTIANSE

DATE & TIME:
FRIDAY, NOVEMBER 17, 2017

4:00PM TO 6:00PM

TOPIC: READING THE REGISTER OF LIBERATED AFRICANS IN THE SEYCHELLES
YVETTE CHRISTIANSË
Chair, Africana Studies Department; Professor, Africana Studies & English and Comparative Literature, Barnard College


Yvette Christiansë is a South African-born poet, novelist, and scholar. She is the author of two books of poetry:Imprendehora (published in South Africa by Kwela Books/Snail Press 2009) and Castaway (Duke University Press, 1999). Imprendehora was a finalist for the Via Afrika Herman Charles Bosman Prize in 2010 and Castaway was a finalist in the 2001 PEN International Poetry Prize. Her novel Unconfessed (Other Press, 2006; Kwela Books, 2007; Querido, 2007) was a finalist for the Hemingway/PEN Prize for first fiction and received a 2007 ForeWord Magazine BEA Award. It was also shortlisted for the University of Johannesburg Prize and the International IMPAC Dublin Literary Award in 2008, and nominated for the Ama Ata Aidoo Prize 2010. Her poetry has been published in the U.S., South Africa, Australia, Canada, France and Italy. She is also the recipient of The Harri Jones Memorial Prize for poetry (Australia).
She teaches poetry and prose of former English colonies (with an emphasis on South Africa, the Caribbean and Australia), narratives of African Diaspora, 20th Century African American Literatures, poetics and creative writing. Her research interests include the nexus between theories of race and gender, class and postcoloniality. She has been a Distinguished Visiting Fellow at Duke University’s John Hope Franklin Center and a Visiting Professor at Princeton University’s Center for Creative and Performing Arts. She has also been a National Research Council Fellow at the University of Witwatersrand and a visiting writer at the University of Cape Town. Her manuscript on Toni Morrison’s poetics and is forthcoming from Fordham University Press. She is currently writing a book on representations of Liberated Africans or Recaptives between 1807 and 1886.Poet and fiction writer, Yvette Christiansë, was born in South Africa under apartheid and immigrated with her parents to Australia at age 18. Her work has been published internationally, and her poetry collection, Castaway, was a finalist for the 2001 PEN International Poetry Prize. Her acclaimed first novel, Unconfessed, is based on the life of a slave woman in the Cape Colony and was a finalist for the 2007 Hemingway/PEN International Prize for First Fiction.
Academic Focus:
Poetry (with an emphasis on South Africa, the Caribbean and Australia)


Education:
Ph.D., B.A., University of Sydney

Related Web Sites:
Personal Website
Christiansë Page on RedRoom
South Africa – Poetry International Web
Africana Studies


Location:
Columbia University
758 Schermerhorn Ext.

Source: Institute for Research in African American Studies, Columbia University

10/20/17 Conversations – “Genealogies of Race and Religion in Colonial Senegal”

Convos2017-10-20
“Genealogies of Race and Religion in Colonial Senegal”
Speaker: Wendell Hassan Marsh, PhD Candidate
Middle Eastern, South Asian and African Studies-Columbia University
+++Free and Open to the Public++

Abstract:
Many scholars have noted the importance of a racialized understanding of religion in the French colonial project in the areas in and around contemporary Senegal.

Islam noir — the concept that distinguished African Muslims from so-called white Muslims of the Arab heartlands, by virtue of a personal and charismatic model of devotion institutionalized in Sufi orders, a syncretic and non-textual orientation to religious practice, and an easily governable docility — is now said to be a relic of a racist colonial past that must be got beyond. In this talk, I propose that some of the ways that contemporary scholars have tried to go beyond race fail to appreciate the work that different ideas of race did in negotiations between colonial administrators and Muslim notables.
The theory of a racialized Islam was used in the production of durable structures during the colonial period that have shaped the way Islam has been understood, lived, and governed. Instead of either discarding race or enshrining it as a transhistorical human category, I examine the Franco-Senegalese racial project and its development of Islamic structures during the colonial moment by reading a genealogy of the saintly figure al-Hajj Umar Tal by Shaykh Musa Kamara. Taken from The Most Deicious of Sciences and the Best of the News in the Life of Hajj Umar, this excerpt of a 1935 text offers a critical view of what was emerging as the joint racial project of the colony-state and indigenous elites as well as the powerful structures of the Sufi brotherhoods in a process of mutual accommodation.

Source

A Celebration of 50 Years of Art in NYC Parks with Dr. Allison Janae Hamilton ’10, ’17

Allison Janae Hamilton
Foresta (detail, installation view), 2017
Mixed media installation with birch logs, wrought iron fence posts, taxidermy forms, horse manes, tambourines, clothing and regalia
Courtesy the artist
Photo: Adam Reich

10-21-17 11:00am—3:00pm

East Pinetum – Central Park

Adult Programs, Fictions

Create a collaborative installation with Fictions artist Allison Janae Hamilton as we help celebrate 50 Years of Public Art in NYC Parks! On Saturday, October 21, the Studio Museum will join 50+ artists and arts organizations in transforming Central Park’s East Pinetum field into an open platform for public art inspired by the NYC Parks Department’s landmark program. Tapping into Hamilton’s practice of creating immersive spaces using plant matter, layered imagery and sounds, visitors are invited to explore the Park’s social history and participate in the creation of an art work in honor of Seneca Village.

 

Source: Studio Museum of Harlem